Equipment Sources
GETTING
STARTED
Here is one of Ramsey's one watt transmitters to
give you an idea of what is available from one of the many companies making this
kind of equipment today! This is a very simple unit to use, as you can see
there's a few buttons on the face plate telling you what functions they perform.
We will be adding a list of different companies who make plug and play type of
equipment for those of you who are just getting started in micro broadcasting. I
am also including a rear view picture so that you can see that most if not all
these transmitters use RCA jacks to plug in your feed sources, CD player, tape
player, computers etc. Please don't think that we are recommending or endorsing
this particular piece of equipment, the photos were easy to access and that is
why I chose this unit, but I will go on to add that there are a number of people
using this unit, including myself! If you are one of those who have an endless
streaming bank account you can buy the more expensive stuff, but this is great
for beginners. I have been running mine 24/7 for two years with no problems.
This unit is popular enough that they can be spotted on ebay frequently. If you
will notice the small onboard antenna sticking out of the top, this means that
you can hook up your feed source and start practicing within minutes, you and
your neighbor ( if they are close by ) will be able to tune in right away.
What's great about this is you can listen to your favorite web broadcast in the
garage or while washing your car and not have to be sitting in front of your
computer. Just plug in your computer with a jack cord from radio shack to
transfer the feed to the transmitter. The cord has a 1/8 inch jack on one end,
and two RCA jacks on the other making it easy to adapt from one to the other! I
recommend putting a small mixer in line to control the volume going to your
transmitter. You can pick up our broadcast on your computer. Chances are
you already have if you are here reading about micro broadcasting. The whole
idea is to put up nice little station in your community and become a news source
for as little money as possible keeping in mind that you want to sound just like
the big guys only covering a smaller area and not the whole state! This is just
to give you a general idea! If you need more info feel free to contact us, we
can help you get started.








Special Complete transmitter packages from Progressive Concepts

Special Model 1150K 150 Watt RF Power Amp Kit from Progressive Concepts

Behringer DSP 9024 Ultradyne
Limiter / Compressor

This is the compressor/limiter that I use myself. They are
a little difficult to figure out at first but I have included three different
broadcast setting here on the site for you to reference. There is no guessing
with a digital type compressor, you simply program the desired settings and lock
it down. You can find one of these on ebay from time to time, most of them are
in near new condition because the owner could never figure it out . In your case
you will only require one of the three settings and your done. The soul purpose
of this unit is to keep the feed going to your transmitter at a steady level so
that you are not over driving or under driving the transmitter making the feed
sound consistent just like the big guys! Of course there are other models you
can use, it just happens that I prefer this one.
Broadcast settings N° 1 for
ULTRA-DYNE PRO DSP 9024 Behringer
|
|
band 1 |
band 2 |
band 3 |
band 4 |
band 5 |
band 6 |
|
low freq. |
25 |
63 |
200 |
630 |
2000 |
6300 |
|
high freq. |
63 |
200 |
630 |
2000 |
6300 |
15125 |
|
gate thr |
-85 |
-85 |
-82 |
-82 |
-82 |
-82 |
|
gate hold |
20 |
20 |
20 |
20 |
20 |
20 |
|
gate rel. |
20 |
20 |
20 |
20 |
20 |
20 |
|
peak width |
0 |
0 |
0 |
0 |
0 |
0 |
|
out gain |
+0 dB |
+0 dB |
+0 dB |
+0 dB |
+0 dB |
+0 dB |
|
exciter drive |
--- |
--- |
--- |
50 |
50 |
50 |
|
comp. thr |
-28 |
-28 |
-27 |
-30 |
-33 |
-33 |
|
comp. ratio |
26 |
26 |
26 |
26 |
26 |
26 |
|
comp. att. |
40 |
40 |
40 |
10 |
5 |
0 |
|
comp. rel. |
350 |
350 |
350 |
350 |
200 |
200 |
|
comp. knee |
soft |
soft |
soft |
soft |
soft |
soft |
|
in gain |
+6 dB |
|
tube type |
12AX7 |
|
tube proc. |
10 |
|
exciter proc. |
10 |
|
odd/even |
9:11 |
|
|
|
bandlink |
off |
|
ultram. proc.
|
30 |
|
ultram. thr |
3 dB |
|
peak limit |
-13dB |
|
lim rel. |
3.00 s |
|
Broadcast settings N° 2 for
ULTRA-DYNE PRO DSP 9024 Behringer
|
|
band 1 |
band 2 |
band 3 |
band 4 |
band 5 |
band 6 |
|
low freq. |
25 |
63 |
200 |
630 |
2000 |
6300 |
|
high freq. |
63 |
200 |
630 |
2000 |
6300 |
15125 |
|
gate thr |
-80 |
-80 |
-80 |
-80 |
-80 |
-80 |
|
gate hold |
20 |
20 |
20 |
20 |
20 |
20 |
|
gate rel. |
20 |
20 |
20 |
20 |
20 |
20 |
|
peak width |
10 |
10 |
10 |
10 |
10 |
10 |
|
out gain |
+0 dB |
+0 dB |
+0 dB |
+0 dB |
+0 dB |
+0 dB |
|
exciter drive |
--- |
--- |
--- |
50 |
60 |
50 |
|
comp. thr |
-28 |
-28 |
-27 |
-32 |
-35 |
-36 |
|
comp. ratio |
26 |
26 |
26 |
26 |
26 |
26 |
|
comp. att. |
60 |
50 |
35 |
10 |
5 |
0 |
|
comp. rel. |
500 |
450 |
400 |
300 |
200 |
100 |
|
comp. knee |
soft |
soft |
soft |
soft |
soft |
soft |
|
in gain |
+7 dB |
|
tube type |
12AX7 |
|
tube proc. |
10 |
|
exciter proc. |
12 |
|
odd/even |
9:11 |
|
|
|
bandlink |
off |
|
ultram. proc.
|
30 |
|
ultram. thr |
3 dB |
|
peak limit |
-14dB |
|
lim rel. |
4.00 s |
|
Broadcast settings N° 3 for
ULTRA-DYNE PRO DSP 9024 Behringer
|
|
band 1 |
band 2 |
band 3 |
band 4 |
band 5 |
band 6 |
|
low freq. |
25 |
63 |
200 |
630 |
2000 |
6300 |
|
high freq. |
63 |
200 |
630 |
2000 |
6300 |
15125 |
|
gate thr |
-75 |
-75 |
-75 |
-75 |
-75 |
-75 |
|
gate hold |
20 |
20 |
20 |
20 |
20 |
20 |
|
gate rel. |
20 |
20 |
20 |
20 |
20 |
20 |
|
peak width |
10 |
10 |
10 |
10 |
10 |
10 |
|
out gain |
+0 dB |
+0 dB |
+0 dB |
+0 dB |
+0 dB |
+0 dB |
|
exciter drive |
--- |
--- |
--- |
50 |
60 |
50 |
|
comp. thr |
-28 |
-28 |
-27 |
-32 |
-35 |
-36 |
|
comp. ratio |
24 |
24 |
24 |
24 |
24 |
24 |
|
comp. att. |
60 |
50 |
35 |
10 |
5 |
0 |
|
comp. rel. |
450 |
400 |
350 |
300 |
200 |
100 |
|
comp. knee |
soft |
soft |
soft |
soft |
soft |
soft |
|
in gain |
+7 dB |
|
tube type |
12AX7 |
|
tube proc. |
12 |
|
exciter proc. |
12 |
|
odd/even |
3:17 |
|
|
|
bandlink |
off |
|
ultram. proc.
|
30 |
|
ultram. thr |
3 dB |
|
peak limit |
-13dB |
|
lim rel. |
0.75 s |
|
Pyle Pro 1911

This is of course a Pyle Pro 1911. This is what I started off with, I simply ran
my computer feeds to this mixer using RCA jacks, and then from the mixer you go
to your compressor. Now if you have not yet purchased a compressor don't worry,
you can go directly to the transmitter for the time being. The problem with
doing it that way is you will have to pay close attention to your audio levels
while transmitting so as not to over drive the transmitting unit. Like anything
else you can use other models to accomplish this, I have had some good service
from the Pyle Pro products without any difficulty what so ever. Just a
suggestion where to begin!
Mackie 1202 VLZ-PRO & Mackie 1402 VLZ-PRO

For those of you a little more serious about your broadcast
here is a mackie 1402 VLZ-Pro. If at some point during your construction you
decide you would like to take phone calls on your station you will need
something a little better than the suggested Pyle Pre. This unit has a few
features you will need to mix the phone system with the broadcast like a mix
minus feature which is very important. I am also posting a Mackie 1202 VLZ-Pro
which sports the same features with a few less channels. The 1402 has sliders
and the 1202 has knobs. For this unit you will also need rack ears to be able to
rack mount your equipment. Those might come with the unit or they might not, but
watch for them if you are purchasing off of ebay, if you buy from any company
outlet you will have to order them seperate and they are about 15 bucks or
something like that!
TELOS 1+1 DUAL HYBRID PHONE SYSTEM
This picture is of a telos 1+1 hybrid, this is one
of many different kinds of hybrids to use for airing phone calls as well as
guest on your radio program You simply plug a standard phone line/lines in the
back of the unit and then cables to your mixer to patch it all together, and
away you go! Remember , you will need one of the Mackie mixers above that has
the mix minus feature in order for this to work, keep that in mind. This unit
happens to be one of the prefered units for low power and micro stations.
There is also a telos one that handles a single phone line, with the 1 + 1 you
can handle two lines.


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